It runs as a standalone app or a plug-in and in standalone mode lets you assign audio output and MIDI inputs as well as buffer sizes and advanced MIDI CC input mapping for sustain and other pedal types. You can manually set the maximum polyphony all the way up to 256 notes, but on a three-year-old MacBook Pro we weren’t able to make it stutter, even with lots of complex sustained playing. A multi-core CPU is recommended, and the memory footprint is apparently a miniscule 256MB, so it will run happily on any recent computer, including ultra-portables such as the MacBook Air.
Pianoteq generates its sounds using synthesis so it’s perhaps a little more processor-intensive than some other virtual pianos, but far less RAM-intensive because it does not use samples. Tinkle the Ivories After a quick download and a simple installation and authorisation procedure you’re up and running. Demos of Stage and Standard are available.
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Although the presets are excellent, it’s the near-infinite tweakability of any patch that really makes Pianoteq stand out, so if you are serious about shaping your pianos, the Standard or Pro versions would seem like the ones to look at.
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Pianoteq comes in three versions: Stage, with all the patches but no sound tweaking capabilities Standard, with many of the patch editing parameters and Pro, with the full complement plus support for up to 192kHz operation. The Pro version also includes the new U4 upright piano module. Version 4.5 makes some under-the-hood changes to the audio engine and various other tweaks including the addition of the new Condition parameter, a really handy slider that lets you ‘age’ a piano on-the-fly.
The appeal of an accurately modelled piano that uses barely any space on your computer is clear: you don’t have to worry about eating up valuable hard drive space on laptops or carrying round additional drives to host libraries. This wisdom was challenged, arguably even disproven, when French developer Modartt came up with Pianoteq, a very different kind of virtual piano that really did sound like a real piano while having a tiny footprint of just over 20MB.Ĭore Technology The key to Pianoteq’s believability is in its physical-modelling technology and some presumably terrifyingly complex mathematics and algorithms which are hidden from the user. Guitars, brass and pianos are probably the most obvious examples of instruments that have been successfully re-created in software form using large, multi-GB core libraries to capture the many nuances and intricacies of their character. Conventional wisdom has been that the only way to emulate some instruments in a believable way is to use samples as the basis of the virtual instrument.
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